MrMoviesETC's TOP 10 FILMS of 2004

Greetings, Movie Lovers!

Welcome back to another week of Top Ten as I go through the films that I enjoyed the most from 2004.

I acknowledge that I've done my share of complaining during this countdown project, particularly while going through the 2000s. The theme of grievances have been that, while each year during this decade has had great films, the selection has been annoyingly slim all the while keeping in mind that I have obviously not seen every film ever made and there's always the chance there are some excellent films that I have yet to come across ("Ray" and "The Terminal" come to mind).

Upon doing some research, it also appears that 2004 was not an exceptional year financially for mainstream Hollywood. Of course, a successful box office doesn't mean squat anymore as to whether a film is actually good, but as an example, the two largest domestic summer blockbusters in 2004 were "Harry Potter and Prisoner of Azkaban" and "Dodgeball: An Underdog Story" - I'm not against either one of those movies, but that does say something, doesn't it?

Simply put, I had a mighty struggle putting this Top Ten list together. I had enough trouble filling all ten gaps that I considered changing this singular post to a Top Five. I'll additionally admit that since it was more laboring to put this thing together, it was difficult to even get excited for it. I did not have a solid #1 as the Top Three are easily interchangeable, though it is important to keep in mind that I do enjoy all ten of these movies or else I would not have even bothered to put this together.

So, without further delay, here is my Top Ten list of 2004:






10. METALLICA: SOME KIND OF MONSTER

Plainly put, if you're not a fan of Metallica and/or documentaries, there's no reason that you lend anything resembling a care to this film. In my position, I cannot say that every single song and every single album that Metallica has ever made has stimulated me without fail; however, when they do hit the mark for me, it's generally long lasting and something I can and will revisit numerous times. It's hard for me to decide convincingly whether or not "Some Kind of Monster" was always intended by the band or if it was a circumstantial marketing damage plan in the less-than-stellar response their 2003 album "St. Anger" received universally. I'm not one to absolutely loathe that effort entirely as I can still appreciate the title track and maybe one or two others, but outside of that, it is a challenging album to tolerate. The documentary goes into the band's inner turmoil during the creation of that record as James Hetfield was struggling intensely with drugs and the group itself trying to get around only being a 3-piece at the time. Even if it is a simple chronological telling of one of the biggest bands in metal music history hitting one of its lowest points, the documentary is exceptionally well made and is all but guaranteed to please the fans of the group. It was certainly a pleasant surprise for me, and one I wouldn't mind revisiting every now and then.







9. BEFORE SUNSET

In what I still consider to be Richard Linklater's best body of work to date, this second installment in the "Before" trilogy finds Ethan Hawke and Julie Delpy meeting again after 9 years from the conclusion of their first chance encounter in "Before Sunrise". You're not apt to find a more simple or human approach to a story about two strangers that became lovers, went their separate ways, found each other again only to find that their sparks still burn brightly despite all the changes that have occurred in their lives, and have it somehow be entertaining. Linklater can take a lot of the credit with his breathtaking choices of location and intimacy, but it's really Hawke and Delpy that propel the films to be what they are. Hollywood plays the sugary "everything works out" card all too readily in romantic comedies, but Linklater keeps this mood grounded as, while the two leads would like to pretend that their lives hold no ground on their romance, they additionally cannot sustain such naivety and that reality will force their relationship to show its true colors. After having seen "Before Midnight" this past year, I wouldn't call "Sunset" my favorite out of the series, although it is a balanced and necessary progression in a charming love story.







8. FINDING NEVERLAND

Whether being a fan of Johnny Depp or not, I've always been surprised at the lack of conversation surrounding "Finding Neverland" - a story based around J.M. Barrie (Depp) that has been struggling to get his plays to take off in the local theater, and then by happenstance, comes across the widowed Sylvia Llewelyn Davies and her four children. After bonding with the family - the boys in particular - Barrie begins to find inspiration for his play about Peter Pan. Of course, the circumstances are not that simple as they never tend to be, as Barrie's ex-wife and Sylvia's mother begin to feel uncomfortable about Barrie's constant presence with the family. That's really the bare bones of it all as far as the story, but the magic in "Neverland" is truly afforded by Depp's performance (one of his more down-to-Earth ones, at least), and the story's equal ability to be uplifting at one moment and completely heart-wrecking in the next.

The story of Peter Pan has always been rooted in imagination, and I feel "Finding Neverland" captured that essence in a way that is accessible. The only way I can think of why a person would undoubtedly despise this film is if they were lacking in that imagination.







7. KILL BILL, VOL. 2

As much as I appreciate the "Kill Bill" films for what they are and what they mean to the Tarantino library, I will go out on a limb and say that neither film comes close to being my favorite from said library. I think they are a great deal of fun and gave Tarantino a means to flex his need for creative over-the-top imagery, but all in all, I find myself placing them still below "Django Unchained", "Inglorious Basterds", and "Reservoir Dogs", seeing as I could watch any of those movies on a whim, whereas I need to be in the right mood to watch "Kill Bill". Nevertheless, "Vol. 2" was one of the best action films of 2004 in my opinion, even though it did not focus nearly as much on action as "Vol. 1" did. The latter focused on initial revenge rage of Kiddo and any of Bill's henchmen getting chopped to bits for crossing her path; "Vol. 2" exercises the more personal side when the actual confrontation with Bill takes place and she finds it more difficult to cut him down than she would have initially thought. Overall, it provides a satisfying conclusion to the story, and while it cannot boast the same acting level as perhaps "Basterds" or "Django" can, Tarantino does bring enough cut-throat polish to this closer to make it memorable.







6. ETERNAL SUNSHINE OF THE SPOTLESS MIND

It's hard to believe that a full decade has gone by since this film's release, and really the last time that anyone took Jim Carrey seriously. That is sort of depressing to me in a way as I grew up on Carrey's style of comedy, and while this effort is rooted almost purely in drama, it shows that the man does have range. It's almost as if Hollywood knows his kind of slapstick isn't as embraced as it once was, and now they can't figure out what to do with him. I'm still not entirely sold on his romantic chemistry with Kate Winslet in this film, but, to me, that really is non-impacting in the grand scheme of the story about two ex-lovers trying to forget each other, and, guess what, there's a piece of technology that can do that. I did attempt to watch "Sunshine" once back when it was released and couldn't really get behind it. I felt the characters were too strange and the story didn't make any cohesive sense, but hey, young and dumb back then, what can I say? After giving it another try, I (clearly) enjoyed it much more and found that I or anyone that has ever suffered heartache could relate to it. In all honestly, the story and its interesting use of visuals really are not that complicated; in simple terms, the present times are moving forward and the flashbacks are moving in reverse to symbolize the literal destruction of memories. Expectantly, it turns out that wiping the mind clean is not nearly that simple, but I will not risk going into spoiler territory from there. What you need to know is that it's a well-made film with a good message and acting to boot.







5. SAW

Yeah, so what? These lists have never always been about the best films ever made, but the films I enjoyed the most during that year, and "Saw" happens to be one of my favorite horror films and also my favorite horror anthology. My only regret is not seeing the original in the cinema so I could say that I was there from the start; sadly, I did not make it until "Saw III". I do admit that these films deserve to be labeled more in terms of junk food than anything else, but I like the twists that they contain regardless of how goofy or nonsensical they are, and Tobin Bell could not have been more perfect to play the role of Jigsaw. Slashers and gorefests are not what I consider to be my cup of tea when it comes to this genre, but at the same time, one has to admit that the kills and devices in this movie and ones that follow are amicably effective. Additionally, I always talk about suspense when it comes to horror, and while "Saw" may not keep that cranked up in full on a consistent basis, they do have enough of it to make them feel superior to most modern horror in that respect. There's not much else I can say, really. I will continue to watch these movies in the years to come, and will gladly get on board if they decide to pick the series back up again for more releases.







4. SHAUN OF THE DEAD

I could not really decide whether to put this in front or behind "Saw", because even though the two are absolutely nothing alike, the both were about even on my enjoyment scale. Riffing off of the classic Romero zombie classics, "Shaun of the Dead' showcases why Simon Pegg and Nick Frost are a comedy force to be reckoned with. There's really no way to describe it other than the two comedians have that "it" factor when it comes to their chemistry. The story itself, while self-explanatory, was a perfect fit to show off the two leads' capabilities. I think one of the best jokes of the movie was in the beginning where the modern world is shown as being so mundane that they don't even notice at first that the undead are starting to walk among them. Once the thrills do begin in earnest, between the one-liners and the physical humor of the zombie kills, "Shaun" becomes, at least for me, a laugh-per-minute riot. This one comes easily recommended!





3. THE AVIATOR

One of my theories of why I didn't like "The Wolf of Wall Street" quite as much as everyone else seemed to is because I had happened to "The Aviator" merely months prior to "Wall Street", and in some ways, it kind of felt like deja vu - Scorsese directs Leonardo DiCaprio as a character that knows the recipe to success, yet either via drugs of Obsessive Compulsive Disorder, has a mental breakdown all the way into the abyss. I suppose the big difference is that one of the characters (I won't say which) is able to come back from the dark, while the other is not so lucky. Don't misunderstand me, both films are expertly done and are entertaining on high degrees, although if I had to choose, I'd probably go with "The Aviator" for the sole reason that it's easier for me to sympathize with a character that cannot ultimately help his situation as opposed to someone on an unapologetic path of self-destruction. While the supporting characters did matter in "The Aviator" since some of them could take credit for helping Howard Hughes (DiCaprio) over the cliff, this is completely DiCaprio's vehicle, and in this film similarly to "Wall Street", he takes the role by the reigns and goes crazy with it. I appreciated as well that Scorsese knew well enough to continually bait the audience that perhaps there is still hope for Hughes, only to watch it wither away again in another bout of hysterics. This film definitely tests its audience, and it will be the viewers that can digest everything crammed in this 3 hour ride that will get the most out of it.







2. THE INCREDIBLES

You know this movie is good when, 11-years-later, the general pulse of the Pixar fan crowd is still that "we want an 'Incredibles' sequel!". If the current MCU march is anything to base the theory on, it shows that superhero films can continue to be successful due to the seemingly endless possibilities they hold, and hell, "The Incredibles" came on the scene before superheroes were cool again. Inevitably, you can count on Pixar to bring this action comedy into the family dynamic, especially since this group of heroes are a family trying to live a normal life in a world where superheroes have become outlawed. Mr. Incredible (Craig T. Nelson) does what he can in that dynamic but cannot help but chomp at the bit when he's presented an opportunity to put the mask and suit back on. The story still holds up strong today with its message of staying together as a family and facing adversity even if the adversaries are the people that used to praise you. Even at 11-years-old, the animation quality remains to be a marvel to look at (especially on blu-ray), and some of the scenes are so glossy, they almost appear to be realistic.

I'd say this movie ranks in about the middle if I were to rank all the Pixar films; however, that doesn't say a whole lot as I still find #15 on that list to be watchable.





At last, my #1 film from 2004 is:





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1. SIDEWAYS

As I mentioned in the preamble, I could have swapped a couple of these films around and made an entirely different list, but I think I settled on "Sideways" for my #1 pick because I realized that I still consider it to be one of the biggest surprises of that year. What I mean to say is that I knew it would be good because it had the formula to be good; what I didn't expect it was how great it would turn out to be thanks mostly in part to the performances of Paul Giamatti and Thomas Haden Church. The premise is that Miles (Giamatti), a depressed and unsuccessful writer, offers to take his closest friend, Jack (Church), on a road trip down the countryside to get a taste of wine country as a sort of Bachelor party for Jack whom is soon to be married. Raymond assumes that it will be a relaxing, leisurely trip, while Jack clearly has other plans to hook up with multiple women before he settles down for good. Miles tolerates this behavior initially as it really isn't his problem, but the easy going success of Jack's ventures begin to grade on Miles and their friendship as a whole. The dynamic of "polar opposite" friends has been done before in Hollywood, yet somehow this take on it felt different and fresh. Again, I think that it is a testament to the performances that Giamatti and Church give and how well that chemistry really works on screen. I personally felt it was a wonderful romantic dramedy and was no less deserving of the #1 spot than any of the other films on this list.





Thank you as always for reading! I hope you enjoyed this week's post.

See you next for my Top Ten films of 2003!





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MrMovieETC's TOP 10 FILMS of 2005

Greetings, Movie Lovers!

I hope everyone had a great week and were able to watch some great films along the way.

This week, I will be tackling my top films of 2005 - a year that kind of feels like I missed as far as cinema goes. I viewed a decent chunk of them, sure, but there are a handful of popular titles that I have not made it around to yet. Simply put, if you happen to check out this list and there's a film that you feel should easily be on there and it's not, I would likely agree with you that it should be there but I cannot currently comment on it. In my defense, I had also only turned 20 in 2005, and let's just say that my cinematic tastes were still in development. I still stand behind some of the movies that I saw back then, and, a couple of them have made this list - so there's that.

I won't waste any more time here, so let's get started:





10. CONSTANTINE

I'm not at all familiar with the comic that "Constantine" is loosely based on, so my affinity for this film has nothing to do with that in case you're wondering why I would hold a movie like this to a high enough regard to make a Top Ten list. I can vaguely recall my draw to seeing "Constantine" in the cinema - which was I still being on a Keanu Reeves high from the Matrix films, and the premise about angels and demons was easily in my wheelhouse (10 years later, it still mostly is). In case you're unfamiliar with the story, the titular character Constantine has been tasked with policing the demons of Hell and making sure they are not breaking the rules and having too much fun at humanity's expense. He additionally accepts the job because he attempted suicide (and failed), so he believes his soul is claimed by the Devil. After a lung cancer death sentence, he assumes that performing exorcisms will get him back in God's good graces. I wouldn't say the performances, even by Reeves, are particularly outstanding in this film, but I find it to be too much of a good time to dismiss. It moves at a slick pace and the climax is fairly entertaining as well. I've watched it multiple times since 2005 and still continue to enjoy it.







9. SIN CITY

It is not very often that I give a film such high praise based almost solely on eye candy, but c'mon, "Sin City" is that and much more. I think the ensemble cast members work well together when they cross paths in the narrative and a majority of them bring an entertaining game. I wouldn't go so far to say as the different stories reach a level of perfection or cohesiveness that completely work, but to bring something from the Frank Miller arsenal with such style has to be commended by itself. Instead of being a typical violent and gory comic adaptation, it takes those characteristics and mixes them with a color palette that really was one of the first of its kind.

There's really not much more I can say about it, because either you're well aware of what "Sin City" is by now, or else you found it so drastically unappealing that you could not care less. I've yet to watch it on blu-ray, although I am looking forward to it as I'm sure its vibrancy will look nothing short of awesome.







8. GRIZZLY MAN

I don't think I've even seen "Grizzly Man" since its debut in 2005, and yet it is one of the documentaries of seen in my life time that has stood more than all the rest. As with most films studying wildlife and its impact on the Earth and its inhabitants, "Grizzly Man" offers a cautionary tale - except this movie in particular has a message with a double-edge. The documentarian here is Timothy Treadwell, a researcher that spent multiple summers in Alaska studying grizzly bears. Over time, he starts to realize (mostly in his own mind) that bears and humans can co-exist in close spaces as long as there lies a mutual respect. Even if you can guess the result of that hypothesis, I won't spell it out here. What I will tell you is that Treadwell's journey is a pretty fascinating one. Anybody that has any kind of love of nature can relate to many of the emotions Treadwell experiences during his interactions with the bears - that is, until, he spends so much time away from humanity out in the wilderness that he goes, for a lack of a better term, fucking nuts.

As the film's tagline suggests, it's one thing to stand up for nature and educate the world, it's a whole other matter to try to walk in their line and not expect negative consequences. I thought Werner Herzog did an outstanding job of putting this documentary together, and if those films are in your wheelhouse, I'd highly recommend it.







7. KING KONG

I could easily place this selection squarely on the shoulders of the nostalgia factor; mainly to the tune of "Holy crap, a giant ape! Holy crap, Tyrannosaurus Rex! Holy crap, giant insect creatures!" 10 years later, well, rinse and repeat. I will admit that Peter Jackson's take on the classic monster feature had an overblown story and Jack Black may not have been the absolutely best choice for delivering the signature phrase at the end of the film following the death of King Kong (if you consider that a spoiler, my apologies). However, what the film did well, as far as action and homages to the more original films, were done really well. Not to mention that the special effects still hold up fantastically for being 10 years old and in development even longer than that. Think about it - one subject of comparison is "Jurassic Park III" from 2001. If you haven't seen JPIII for a year or two, it doesn't hold up worth a damn.

So, yeah, this blockbuster take on "King Kong" is still a lot of fun to watch, for me at least, and the climax of Kong's dual atop the skyscraper still gives me chills. Say what you will, I really like this movie.







6. WALK THE LINE

I wasn't sure in the beginning, but after seeing "Walk the Line" for the first time, I don't think anyone could have played through the life and times of the great Johnny Cash quite as good as Joaquin Phoenix. I was (am) a fan of his work, but I had not heard of any musical backgrounds that he clearly boasted, and I have to say that he nailed the part completely. Truth be told, it's a kind of role that is really tailor-made for his type of talent - secure and confident in a dramatic role, and yet he does it so subtly that he's engaging without being over-the-top. As far as the story, if you know your Cash history, it goes steadily straight-forward: Johnny's rise to fame; his fall as a result of substance abuse; and finally, his resurgence.

Don't get me wrong, the story goes much deeper and personal than that, but those details are best left for the actual viewing experience. It's an excellent film and well worth the watch.








5. THE 40-YEAR-OLD VIRGIN

Perhaps this isn't quite as intellectually stimulating as some of the other films that came before it on the list, yet, "The 40-Year-Old Virgin", Judd Apatow's directing debut, is still one of my favorite comedies to date. Steve Carell makes a hilarious big stage debut as Andy Stitzer, a shy yet sweetheart video game nerd of sorts that reveals to his new friends (Seth Rogen and Paul Rudd) that he has never had sexual intercourse in his life. I suppose this film could be to blame for the recent explosion of raunchy comedies, and even if that's true, this movie at least got the formula correct. There's a healthy blend of heart and humor that Apatow has made a bit of a trademark from. His streak has not always been strong, although this one has always had me laughing consistently throughout its entirety. Again, its predictable as most comedies are, but it does have a few tricks up its sleeve to keep the audience rolling in the aisle. There have been a few comedies since and prior to 2005 that have come close to dethroning "Virgin", but it has still held on as my favorite.








4. CAPOTE

I could be a little jaded on this one seeing as I did not view for the first time until after the tragic passing of Philip Seymour Hoffman. That, and I'm ashamed to say that I didn't really know much about the life of Truman Capote outside of his most famous work, "In Cold Blood". Coincidentally, that ended up working out pretty well for me as that is what the film is based around - Capote's research into a gruesome homicide. Hoffman, of course, is a revelation in this movie as Capote. He helped create a perfect balance of vulnerability and the ever-so-slightly snobbish side of Capote that was really a facade more than anything else to cover for his own insecurity. I think what makes the film even more powerful and tragic now more than ever is the coinciding tragedies of both Capote, the man, and Capote, the actor who played him because both passed away too young due to drug-related complications. They will be missed and their talents were gone far too prematurely.







3. A HISTORY OF VIOLENCE

When I went to see "A History of Violence" in the cinema for the first time, I knew next to nothing about it other than it had an attractive looking cast and was reviewed as a violently-edged thriller, which was more than enough to get me in a seat at the time. From what I can recall, I don't believe it received a huge release, so to summarize, the story focuses on Tom Stall, a small town cafe owner that gets along with most everyone, except a duo of thugs that decide to burst and threaten him and his employees. After a rather impressive display of asskicking, Stall is confronted by Carl Fogarty (Ed Harris), bad news dressed in a black suit that begins to tell the people around Tom that he is not who everyone thinks he is. From the well-designed action pieces to the family drama that comes as a result of them, "Violence" is a sleek, 90-minute drama thriller that is about as surprising stealthy and lethal as its main character. I love the quiet yet deadly demeanor of Viggo Mortensen as Tom; the antagonizing menace of Harris; and the no-nonsense brutality of Tom's brother Joey (William Hurt).

If you haven't checked this film out yet, I would easily suggest to do so.








2. BATMAN BEGINS

You can definitely tell, even back in 2005, that the comic crowd or Batman fans in particular had not quite recovered from the deflating hangover that was "Batman & Robin", as "Batman Begins" paled at the box office in comparison to its two follow-ups. Perhaps its understandable as every successful series has to start somewhere, and for an origin story card that Hollywood seems to love to play a little too often in the past decade, "Batman Begins" is one of the best in the deck in recent memory. Christopher Nolan was still trying to make a name for himself, and what better way to do that than try to raise a beloved comic character from the ashes? Not to mention totally steering the trademark away from the comic book feel that Tim Burton left behind in the late 80s and early 90s, and turn it into a realistic, gritty, and dark outing with an intimidating punch. While I wouldn't call Christian Bale the greatest actor to wear the cape and cowl, he did take the role to heart and was easily a believable Dark Knight as far as physicality. Nolan also could not have had a better cast to round out his trilogy than Michael Caine, Morgan Freeman, and Gary Oldman. Need I say more? Cillian Murphy additionally brought a lively performance to the Scarecrow, and the nightmare sequences of this film were top notch, in my opinion.

I may not watch this installment of the trilogy as much as "The Dark Knight", but that doesn't decrease its value.








1. A SOUND OF THUNDER

A majority of the time, Hollywood is seemingly incapable of making a proper film based on a popular and/or classic novel; however, when tackling the timeless story from Ray Bradbury, they finally go it right. The original novel was fairly short, so sure, they had to make some creative decisions to fill in the gaps, but outside of that, the story stays true to the material, the special effects rivaled even that of the aforementioned "King Kong", and....I can't keep this up.

Give me a break, I have not done this for a while! Yes, of course, I'm not being serious. I attempted to watch this atrocious piece of sh-, no, feces deserves better than that, and I could not make it to the end credits. Of course I had high expectations due to being a huge fan of the book, but for the love of all things film, what exactly did they spend the $80 million budget on? It wasn't on story, effects, acting or anything that constitutes a film. I wouldn't recommend you watching this even for a laugh, because you won't laugh, you'll sob.






And now, my actual #1 film from 2005 is;





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1. LORD OF WAR

Despite his more comical reputation as of late, Nicolas Cage, believe it or not, does have a batch of strong dramatic performances under his belt; and in my opinion, none are more of a standout than Yuri Orlov from "Lord of War", a young entrepreneur of sorts that discovers that his big talent is dealing guns to lesser developed countries in Africa, mostly illegally. For Yuri, it's not about the money, it's about the game, and while he could walk away at any given moment, he feels too compelled to continue his work even if it costs many innocent lives. While watching him battle his own moral boundaries in hostile environments is entertaining enough, Yuri also gets the pleasure of being hunted by Jack Valentine (Ethan Hawke), an Interpol agent whom lives and breathes the opportunity to bring Yuri down for good. Some of Cage's most captivating lines are from his own inner monologue as it breaks down his job and the admittance that he does cater to the scum of the Earth.

For its run time, "Lord of War" is a slow-burner, but it has just enough going on at any given moment and intriguing characters to make said time pass rather swiftly. I find this film to be infinitely re-watchable and that is why it's my favorite film of 2005.



Thank you very much for reading! See you next week for my Top Ten List of 2004.

MrMovieETC's TOP 10 FILMS of 2006

Ugh...

Is it the 90s yet?

Ok, I'm mostly joking.

Greetings, Movie Lovers!

Although 2006 did see the same amount of disparity like 2008 and 2009, that's not to say there were not some good - if not great - films to behold from this year. In truth, a couple of the films on this list I could easily see myself placing in my Top 50, or even Top 20 films list of all time. Another thing I will give the slate of movies available from this year is that it does break the pattern from those that came after it. There weren't many animation standouts as Pixar's offering was "Cars", and while I do not have anything against that movie, it's not a Top 10 now nor will it ever be. The horror lineup was a little bit dry as well with some of the better ones in recent memory coming a few years after this (see previous Top 10 posts).

No, this year felt like it belonged to more the indie scene with a decent lot of comedy, drama, and even a thriller or two. Thankfully, said releases were some of the brighter outings of the year.

Without further delay, here is my Top 10 Film list of 2006:





10. PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST

I literally had about 5 or 6 titles that I was swapping in and out for this particular spot on the list; films that are arguably, or may not even so, better than the second chapter of the Pirates series and that I also hold to a high regard even beyond just their technical merits. A few that come to mind are "Blood Diamond", "The Hills Have Eyes" remake, "The Proposition", and "Accepted" (hey, it still cracks me up 10 years later). Why, then, choose "Dead Man's Chest"? First, I can't help but find the series interesting now as it has become the scapegoat for which Johnny Depp fans like to hurl their frustrations at and blame for his current and often repetitive on-screen persona. Perhaps that is partially true, along with Tim Burton, but I still find this film to be pretty damn good. Perfect? No, however it still has the wittiness of the original; I love Bill Nighy as Davey Jones; Bloom's and Knightley's characters haven't quite reached the agonizing level of nauseating from "At World's End", and the story is also fairly straight forward as opposed to its sequel. The special effects also deserve mentioning as they were quite impressive for that time and something one would easily expect from Disney.

Once more, sure, it does not hold up to some other films that could have also filled this spot, but it's a movie I still keep pretty close.







9. HARD CANDY

Most of the cinematic public did not come to know Ellen Page until she made her big indie smash debut with "Juno" in 2007. After said exposure, some, like myself, may have stumbled across "Hard Candy" - another indie film for Page, except it's not nearly as cute as a cheeseburger phone. This film sees a much darker side of Page in a (sort of) revenge flick about a 14-year-old girl (though Page was actually older) that tries to seduce a man that she chats with online and is convinced to be a pedophile and murderer. After successfully getting said man, Jeff (Patrick Wilson), to take her back to his house, the terror begins in earnest as she physically tortures Jeff into confessing his crimes.

Not only is the acting, especially from Page, outstanding in this film, but it's also such a morally polarizing feature that you cannot help and watch it all the way through. One side of it is that how difficult it is to watch the near-demented acts of Hayley (Page) on this man that was previously a stranger to her; though, on the other side of things, she presents an intriguing argument for her claims and one starts to support her cause. It's not for everyone, to be clear, but I found it to be a powerful film on the senses.







8. STRANGER THAN FICTION

Outside of this still being my favorite Will Ferrell performance to date, "Stranger than Fiction" has a premise that I can't help but love. A writer struggling with writer's block (played by Emma Thompsen) finds herself becoming the narrator of Harold's (Ferrell) life and has announced that at some point during her story, Harold will die. As someone that lives his life highly organized and a by-the-book routine, this obviously sends Harold's world into a frightening tailspin. Anything outside of that should be viewed and enjoyed on one's own time, and as I said at the beginning, I would love to see Ferrell in more roles like this. I know it's not his "niche", technically, though this performance was one of his most sincere and shows that there is a lot more to him than the vulgar shtick that he has been made famous from. This is also not a complete drama; there are still plenty of laughs to be had on a darker basis.

Highly recommended!







7. THE PURSUIT OF HAPPYNESS

Speaking of sincere and vulnerable roles, this one goes to Will Smith and is easily the best overall performance of his career, in my opinion. Also, whilst seeing Will with his son Jaden on screen has been the target of multiple critical ribbing, the duo works quite well in this story of a poor father trying to keep a roof over his son's head, even if that means sleeping in public transportation stations until he can make ends meet. Coming from the paycheck-to-paycheck class myself, it is not difficult to relate to his growing frustrations of missed opportunities and closed doors, all the while trying to keep an optimistic facade for his young son whom doesn't quite fully understand the seriousness of their situation. If Smith were to ever win an Oscar, it should have been for this. Forget action flicks, sci-fi comedies, and the Fresh Prince - when put in the right situation, Smith can act on a high-talent level, and you need no further proof than "The Pursuit of Happyness".







6. THE DESCENT

This one came as a bit of a surprise for me. Having only viewed for the first time last Halloween, I had previously put it off because I had heard good things and yet not enough from the synopsis drew me in on a "must-see" level of excitement. Be that as it may, "The Descent" was hands-down one of my favorite films from last year's Octoberthon. The acting isn't superb by any means and the characters do make a handful of the same ol' bad decisions that must be some sort of criterion when making a horror film, but what I will say is that this film nails all the right notes enough of the time to make me love it. The atmosphere already came built-in with the underground cave setting; the execution did not solely rely on jump scare tactics; and the creatures from this little slice of Hell are effectively terrifying in their own right. I also enjoyed how the filmmakers did not belittle Sarah's character as just another generic Scream Queen. She is given the opportunity to using some cunning logic to stay alive despite the obviously bleak peril in front of her.

This movie was great and could easily fit on my Top 20 Horror Films of all time. If you love some horror, check this one out!





5. V FOR VENDETTA

Stylishly entertaining and scary to a degree, "V for Vendetta" is one of those rebellion-type films that I find to be infinitely re-watchable. I'm not so much saying that it's the best of its kind, as I'm sure there are plenty in its field that cast a shadow; however, Hugo Weaving's portrayal of V has become an underground icon with the sort of charisma that I will not look away from when presented the opportunity. Another reason why I would not say that "V" is at the top of its particular class because the film itself is a little cartoon-ish and the story is muddy from time to time. That being said, I've always enjoyed the action sequences, and the 3rd Act gives me chills nearly every time that I see it. Natalie Portman gives a strong effort as well, and lends a believable human side to V that might not have been there otherwise. All in all, I do not have much more to add here. The film is a straight-forward action drama with strong acting to carry its story's heavy weight.








4. THE PRESTIGE

- or - the Christopher Nolan film that somehow tends to be one of the more forgotten films in his catalog because it had the unfortunate luck of dropping between two highly successful Batman movies.

Likewise starring Christian Bale in addition to Hugh Jackman, "The Prestige" is a greatly entertaining film about dueling magicians in a quest for celebrity by seeing whom can pull off the biggest mind-bending magic trick - to the degree of life-endangering insanity. One of the more interesting aspects of the story is how it shows right off the bat that the acts are staged, which eventually leads to the two leads pressing the envelope further and further until they acquire a new, dazzling piece of transport technology from Nikola Tesla (David Bowie). Of course, the rivalry extends much further than that of the stage show to the point of being a heavy influence on each other's personal lives. I've always been a fan of Nolan's style of storytelling, and "The Prestige" is no different. It appears to be pretty simple on paper, though the 3rd Act trick appeases in ways that Nolan has always been known for.







3. LITTLE MISS SUNSHINE

Here's all you need to know: Alan Arkin is a loving, yet foul-mouthed and cocaine-snorting grandfather. If you have yet to see "Little Miss Sunshine", you may now proceed to do so.

If that's not enough to satisfy, this film is also a wonderfully charming dark dramedy about a broken family that decides to go on a road trip in a Volkswagen bus so that the youngest member of the family, Olive (Abagail Breslin), can participate in the Little Miss Sunshine competition. Just to give you a better understanding outside of Arkin's character personality, the family also consists of a moody teenager (Paul Dano), the mother (Toni Collette), her husband (Greg Kinnear), and her suicidal brother (Steve Carell). The movie that ensues is nothing short of golden. Based on the premise, one could argue that it's destined to end predictably, and that could very well be true, but it's still one that you should seek out to see as it can be related to by about any American family in existence.







2. THE DEPARTED

Seriously, I still can't believe it took this long for Martin Scorsese to win an Oscar. What's funnier than that is if I were being honest, "The Departed" isn't even his best film - it is fantastic, don't get me wrong - but still not his best. Although, what "The Departed" is for sure is the right to be called one of the best films of 2006; truthfully, it's not even close to a bulk of the films released that year. The story has the signature grittiness of a Scorsese mob hit and he gets 110% from all his actors, especially Jack Nicholson in what has been his last shining performance to date; not to mention that most everyone enjoys a good double-cross plot and seeing which side of the law's fence can do it better. I feel this film additionally marks the official comeback (so to speak) for DiCaprio whom had not been able to break the Jack Dawson mindset of his fans in the past near decade and showed everyone why he should be taken seriously as a dramatic actor.

I cannot imagine that hardly any movie fan has yet to be exposed to "The Departed", but if you do land in that category - what are you waiting for?





Lastly, my #1 film from 2006:





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1. PAN'S LABYRINTH

People always talk about "love at first sight", and more appropriately in this case, "love at first viewing", and that latter phrase perfectly describes me for "Pan's Labyrinth". Not only was it the first foreign film I had ever seen at the cinema, but it was so well done that it was instantly a shoe-in for my first owned foreign film. Between the fantasy, horror, violence, and innocence, "Pan's Labyrinth" is a film that I can find little to no faults. From beautiful in one scene to brutal in the next, Guillermo Del Toro may have made a movie here that is nothing short of a masterpiece - and I do NOT use that term lightly, if ever. Following young Ofelia in post-Civil War Spain, we watch as she finds a labyrinth that holds the promise of an immortal utopia, especially in comparison to her current home life run by Vidal, her new step-father whom is about evil as he is sadistic.

I'd sincerely enjoy to go on and on about this film, and yet, funny enough, the more I like a film, the more difficult it is to talk about it without feeling like I've spoiled the hell out of it. If you're in the movie crowd that doesn't mind subtitles - Go. See. This. Movie. It has grown to be a favorite of mine, and I'll be watching it for years to come.



Thank you for reading!! See you next week for my Top 10 Film list of 2005.

MrMovieETC's TOP 10 FILMS of 2007

Greetings, Movie Lovers!

I hope you all had a fan-and-filmtastic Father's Day last weekend. I'm returning to my Top Ten film lists after taking last weekend off to spend time with my family and to not take away time from yours by posting stuff on Facebook.



2007: Finally, back to a year in cinema that left plenty of films to consider for the Top Ten.

After 2008 and 2009 left more rhinestones than gems, it was refreshing to see the superbly-acted, character-driven dramas that 2007 boasted, that, dare I say, were some of the best of this decade. In addition to that, this year had a plentiful serving of decent horror films to choose from; certainly something I will not find myself complaining about.

Outside of that, I don't have much a preamble for this post, so I'm going to go ahead and get started on my Top Ten Films of 2007:





10. EASTERN PROMISES

To no real fault of his own, I don't find myself watching or actively searching out films with Viggo Mortensen in the lead role. It's not because I dislike him as an actor, but rather the opposite in that I feel he's quite underrated. Nevertheless, the "Lord of the Rings" trilogy was a one-and-done affair for me, and films like "Hildago" are not my cup of tea, generally-speaking. "A History of Violence", on the other hand, is definitely up my alley and Viggo was damn near perfect in that movie (don't be surprised to see that title turn up later in this series). As far as this film is concerned, it takes the typical adjectives of "dirty, "gritty", and sometimes outwardly "repulsive", and cranks them up to a 10. While the film has plenty of bright spots, so to speak, in the story and acting department (particularly by Mortensen), the tone maintains a dark and tense nearly from beginning to end. Let's be honest, rarely does a feature paint a positive light when it comes to the subject of Russian mob families.

The true nature of the sinister plot may not be for everybody, but if this is your type of film, I highly recommend it.





9. THE ORPHANAGE

This Spanish ghost story was easily my favorite at the time and may even still be so today, mainly for what I was hoping it would be and for the multiple surprises that I was not expecting. In truth, it's been a few years since the last time I've seen "The Orphanage" and I intend to revisit it again in the near-ish future, yet at the same time, I can still remember how inspired and satisfied I felt after watching this film for the first time. In the beginning, it's exactly what you'd expect a horror story about an orphanage to be. Personally, I'm rather surprised we don't get horror attempts like this more often, because, c'mon, ghost children - they're bloody creepy. The filmmakers did a great job of capturing the essence of that atmosphere and, needless to say, they had me hooked from the start. I won't get into spoiler territory, but the unexpected turn of the film comes about halfway through in a way that introduced a lot of emotional heart; that's about the best way I can describe it, and as I said at the beginning, I love this ghost story.

Horror fans will likely get their fill with the little scares that come with this movie, and the story is definitely one to appreciate in the years to come!





8. RATATOUILLE

Surprise, surprise - another year, another Pixar film in the Top Ten. What can I say? Good movies are good movies, and in my opinion, Pixar's niche is creating great movies. I wouldn't say "Ratatouille" is my favorite of that particular bunch, though it was still one of my favorite films from 2007, because, obviously, it's Pixar and has that signature Pixar story and humor, but most importantly, it's about great food! It's hard to dislike a movie about the culinary arts as it is, and when adding in an underdog story about a mouse dreaming to be a master chef in Paris, well, you get wonderfully entertaining films like this. Of course, the animation was still ahead of its time, with the creme de la creme being a near breathtaking shot of Paris at nightfall. The color practically radiates off the screen. Everything else pretty speaks for itself. "Ratatouille" is another fine entry in the Pixar catalog.





7. THE MIST

Wouldn't it be ideal if just about any Stephen King film adaptation at least went across the desk of Frank Darabont? I mean, from what I've seen, the guy doesn't seem to miss that often. "The Green Mile", while not exactly horror, is currently my favorite film of all time; "The Shawshank Redemption" is on-screen storytelling at some of its finest; and then came "The Mist" that does see Darabont treading to the horror territory of King where a small mountain community gets terrorized by mutated monsters that appear out of a mysterious mist that then, in turn, bring out the monsters in the townspeople that cannot figure out how to cope with this new panic. Sometimes all it takes is a Bible and an overzealous attitude to push people over the edge. I wouldn't say I enjoyed this film as much as the other two efforts by Darabont, but a really well-executed Stephen King story brought to film is tough to find, and Darabont brings this one to the screen with enough finesse to truly stand out.

Obviously, for me, "The Mist" comes recommended. If you've seen it before but haven't yet ventured to the black & white version, I think I'd recommend that even more.





6. GONE BABY GONE

If Ben Affleck's most recent effort, "Argo", brought the suspense, and "The Town" before that brought the captivating and violent underbelly of Boston, then his director debut of "Gone Baby Gone" brought the grit. Much like "Eastern Promises" earlier in the list, this film crawls in the darkest corner of suspense and natural fear, but instead of the mob, this story revolves around child abduction - yeah, always a soothing, chipper topic. Affleck does get the comfort of having family on top of the acting bill, and Casey does a sincerely great job as Investigator Patrick Kenzie. What I also love about this film is how consistently it continues from point to point, slowly sinking in the mire of helplessness as you become more and more positive that the child in question has been killed. Every character interrogated is more sleazy than the last, and even Kenzie has trouble keeping his cool by the end.

For a first film behind the camera, this is about a strong as they come - especially in the modern era of Hollywood.





5. JUNO

Perhaps it's not as much the case anymore, but it seemed like the initial buzz surrounding "Juno" when it was first released was about if it was morally misdirecting for young women/teenagers. One side of the fence, the "pro" side, stated that it's a film that young women should watch because it shows the consequences of one's actions and the heartache that comes with it. The "con" side were baffled by the film's popularity and that all it teaches teenagers is if you make a mistake, like getting pregnant, you can just dump your problem onto someone else and move on as if nothing happened. I suppose, technically, both side have strong points to bring to the table; for me, I tried my best to block all of that out and simply enjoy "Juno" for what it is - an outstanding dramedy. The performance by Ellen Page is still a standout tour de force to this day, and J.K. Simmons as her father lends a dry sense of humor and compassionate comfort that adds to their terrific chemistry on screen. If I were to choose a side, I'd say this film lands more accurately on the "pro" side of the argument as the story and tonality place a heavy hand on how lives are forever changed when new life is created too soon.





4. AMERICAN GANGSTER

I wouldn't say I put "American Gangster" this far up the list solely due its technical merits, because it's not without its flaws and holes; although, referring back to the introduction, this was one of those superbly-acted dramas (made all the better by Ridley Scott at director) that showcases Denzel Washington in his finest performance from that decade, in my own opinion, as drug dealing kingpin Frank Lucas. Often compassionate in his family life but no nonsense and tough as nails on the streets, Lucas brought back that classic gangster intimidation factor, and strangely enough, classy style that has felt missing since mobster flicks ruled supreme in the 1950s and 1960s. Russel Crowe also turns in a solid performance as Detective Richie Roberts, and being not the biggest fan of Crowe, I do recognize his authentic talents and to see him take a role that doesn't display his character at the top of their game was refreshing to say the least. Running at almost 3 hours, the film does have its lags, but overall does maintain an engaging enough pace to keep you intrigued until the final credits role.





3. ONCE

On my A Journey Through Film page, I posted a full-length review a while back for "Once" praising it as the best modern musical I've seen, if not the best musical of the 2000s. At a modest $150,000 budget, this story tells about the heartbreak of "Guy" (played by real life musician Glen Hansard) and how he dreams to make it big in the music world despite currently playing for loose change on street corners with his warped and damaged guitar. With the help of "Girl" (Marketa Irglova), Guy is able to display his talents to a group of musicians to join in his cause, and eventually, to a music producer to create his album about a lost love. The musical chemistry between Hansard and Irglova is second-to-none as they create absolutely beautiful melodies from one song to the next. The film teases a possible romance blooming between the two characters, but you'll have to watch the movie for yourself to see how that plays out.

You don't necessarily have to be a fan of musicals to appreciate "Once", mainly because it does not play out like the stereotypical Broadway dance and sing affair with all the bells and whistles. "Once" sides more with the understated approach, and the result is fantastic.





2. NO COUNTRY FOR OLD MEN

The Coen Brothers can always be counted on to bring forth bizarre, yet oddly entertaining comedies and/or noirs to the big screen; everything from "Blood Simple", "Fargo", "Raising Arizona", and "The Big Lebowski" has the signature taste that only the Coens can seem to master. "No Country for Old Men" sees them bring a more serious approach, and the result is probably the finest film in their catalog to date. From the now iconic role from Javier Bardem and the fine supporting cast work of Tommy Lee Jones and Josh Brolin, the Coens bring the story of a drug trade gone horribly wrong to a wide spread chase that leaves multiple dead bodies in its wake. As stated, Bardem brings a master craft to this film as the terrifying Anton Chigurh, a hitman that uses a cattle gun as his weapon of choice - you know, just in case you needed something to grab your attention towards viewing this film. Brolin's Llwelyn Moss is the unfortunate target of Chigurh, and Tommy Lee Jones plays the near-retired Sheriff stuck in the middle of it all and is none-to-pleased about it.

One thing you may have heard about "No Country", especially if you have yet to see it, is how much the ending has a tendency to piss people off. It's a little strange to be sure, but give it a chance as it does have a subtle punch to it.





And finally, my #1 film from 2007:





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1. THERE WILL BE BLOOD

If you ever wondered why the name Daniel Day Lewis gets mentioned with such rigorous enthusiasm about every 4 to 5 years, then "There Will Be Blood" would be as good a place as any to find out. In the last 20 years, I've yet see an actor embrace a role has absolutely as Lewis, and his role as Daniel Plainview in this film is nothing short of perfect. Seeing his evolution from a broke silver minor to a wealthy oil driller that succumbs to his own ego and alcoholism on the road to bitter madness, Plainview manages to become more memorable than the portrayal of Abraham Lincoln that Lewis did 5 years later (and he was also ridiculously good in that film). In fairness to Plainview, he had help being nudged in that direction by a cynical false prophet, played with a certain subtle menace by young Paul Dano, looking to use the townspeople against Plainview to coax more money to his own cause with the insurance that it'll keep Plainview's business afloat. For a film that runs well over 2 hours, that doesn't seem like a lot to run on, and yet Director Paul Thomas Anderson literally makes every frame drip with personality and character that all you'd want to do as a viewer is soak it in minute by minute. In fact, watching Plainview's slow decent from a business man with good intentions to a bitter drunk that has a growing disdain for everyone around him is captivating enough to watch all on its own. I believe there are performances that deserve the Oscar without a shadow of a doubt, and this was the one from 2007. To you, Mr. Lewis, I say "Bravo!"




Thank you very much for reading! Please feel free to share this and/or comment.

See you next for my Top Ten List of 2006.

MrMovieETC's TOP 10 FILMS of 2008

Wow, has it already been a week? I guess time flies after having taken a month off.

But I digress.

Needless to say, 2008 had a large impact on the current modern big-budget cinema landscape; more specifically, the easily largest uprising of comic book adaptations in nearly two decades for both DC and MARVEL. That's not to say there was a lack of some decent offerings in the late 1990s and early 2000s, but this was the year that, economically, the surge was truly felt and superheroes were here to stay. The year also posted some memorable animation and drama that either put careers in the fast lane for newcomers and peaks for the veteran crowd. However, it did also have a similar feeling from 2009 where the gap between average and great seemed distant in-between, causing the structuring of the list to have a smaller field of nominees of which to choose from.

Before I begin the list, and I do not usually do this, but I will note a few films that I have unfortunately not seen yet that could have made an impact on this list - Marjane Satrapi's "Persepolis" and Darren Aronofsky's "The Wrestler" - both of which I own, but have not gotten around to yet.

Otherwise, here is my Top Ten list of 2008. I hope you enjoy!





10. FORGETTING SARAH MARSHALL

Much like "I Love You, Man" in 2009, "Sarah Marshall" had the right balance of heart and humor when it mattered. Before comedies became more monotonous than not, the mid-to-late 2000s had comedies that, while silly at times, were also something you could relate to in terms of heartache and the denial that comes with it. Jason Segel carried this vehicle seemingly without effort, and Mila Kunis and Kristen Bell both made entertaining leading ladies. It also doesn't hurt to have Hawai'i as the film's location backdrop to make it all the more appealing.

There are just as many one-liner gags as there are circumstantial laughs, and this is another comedy that I didn't have trouble putting in my Top Ten because it still to this day makes me laugh out loud. I'm not saying it's a perfect film by any stretch, but it also has a charm that's undeniable.





9. THE STRANGERS

As creepy as it is understated, "The Strangers" plays the kind of horror that can effectively hit home in ways that other horror cannot. I, personally, have a deep-seeded desire to believe that there is a possibility of the paranormal so that isn't to say ghost stories/films aren't without legitimate fright, but monsters, vampires, etc., feed upon a person's imagination more than reality. "Strangers", on the other hand, shows you that, yes, masked creeps can break into your house and terrorize the shit out of you with lethal weapons, and locking your doors and windows and possibly keeping a baseball bat close at hand wouldn't be a terrible idea. What I also enjoyed about the film is that it does not allow itself to become convoluted. Running at a lean, slick pace, "The Strangers" successfully cut out all the access and kept the suspense at front and center. The acting was decent as well considering the most that was asked of the few actors on the bill was too act horrified.

This little horror film does live up to the hype it receives from the horror community and you should definitely check it out if you haven't done so already.





8. TROPIC THUNDER

If "Forgetting Sarah Marshall" was one of the better adult-yet-charming comedies of the year, then "Tropic Thunder" was its evil sibling that was as morally wrong as it was comically right. The film plays off as an action movie in the making with a handful of jaded "actors" that turns out to be a literal hostage situation in foreign territory, except it takes the crew longer than it should to figure it out and have nothing to survive with other than their acting chops. The circumstances alone are funny enough and Downey Jr., Stiller, and Black make for a great combination; however, for me, the best jokes were the more subtle tongue-in-cheek gags aimed directly at big-budget Hollywood. Downey Jr. was also nominated for an Oscar for this film, and while the actual role was cringe-worthy in how politically incorrect it was, the honor was certainly earned. On a final note, "Tropic Thunder" was the first time in a long time that I thoroughly enjoyed watching Tom Cruise.





7. GRAN TORINO

Back when this film was considered as the final bow for Eastwood's acting career, I couldn't have honestly pictured a better way to end as "Gran Torino" was easily one of his greatest modern performances as a grieving widower that has not become too keen on the direction his neighborhood has gone and the thugs that have begun to overrun it. Let's be honest, there are only a handful of actors that can make "Get off my lawn" sound convincing enough to make your blood turn to ice - in other words, Clint can be in his late 70's and still tear you apart. Of course, there's more to the film than Dirty Harry beating punks into the ground, and the amount of character growth that you see in this film makes it as embracing as it is brutal.









6. LET THE RIGHT ONE IN

I will admit up front that when this film first came out, my initial reason for accepting it was "Hey, Stephanie Meyer, these are what vampires look like!" Although, once I got over that brief jubilation and watched the film a few more times, I began to appreciate it for it truly was - a really damn good horror movie. It is difficult to recall a time where a film like this put most of its efforts into the story instead of the monster. Truthfully, the overall effect this movie has is challenging to put into words, because, while it is scary in its own way, the story of the young girl and boy and the strength of their bond is more endearing than anything blood-splattering gore can offer. I was also a big fan of the American remake "Let Me In" due to it being very faithful to the source material and had some familiar faces, though if I had to choose, I would likely go with this feature as the acting by the two young leads are equally as good as their American counterparts, and I feel that giving credit where it is due for the overall concept is just as important.

I know that some movie lovers aren't too big on subtitles, but please, if you've seen the American version, give this one a try!





5. THE READER

This was one of the accidental finds where I had not even heard of the film until I stumbled across the blu-ray release. I'm not one to typically go overboard on blind buys, but with a cast consisting of Kate Winslet and Ralph Fiennes, it seemed like an obvious choice. Luckily, my gut instincts served me well and I ended up loving "The Reader". Part romantic-drama and part tragedy, this is a film that is simple on the surface, yet keeps the viewer engaged throughout with the nagging feeling that a significant truth about the two characters is hiding just beneath and one wouldn't be able to be satisfied without knowing what that mystery is about. Truth be told, it's been about 4 years since the last time I've seen "The Reader" so I'm basing this on long-term memory and the general praise I felt for the film when it ended. Be that as it may, I'll refrain from going into too many plot points as I would regret being misleading by mistake. It's been on my agenda to revisit and I am greatly looking forward to it. I would definitely consider this 2008's "Diamond in the Rough".





4. THE CURIOUS CASE OF BENJAMIN BUTTON

I had debated on whether or not I should have placed "Benjamin Button" as high on the list as I did because it undoubtedly had its fair share of flaws, but, despite that fact, between the sharp-eye direction of David Fincher and the terrific acting of Brad Pitt and Cate Blanchett, I enjoyed this film entirely too much to keep it out of the Top Five. At first glance, this isn't the type of film that one would think of when it came to exceptional visuals, and yet between the reverse aging of Benjamin Button and the overall cinematography, this film was immersive not only in tale but also has a certain gusto in its display execution. True to form when it comes to most things Fincher, "Benjamin Button" does have a lengthy run at nearly 3 hours, so one's enjoyment level may also depend on level of patience. For those willing to give it a try, I cannot recommend this film enough. The aging process of the titular character is an attention-grabbing mechanism to be sure, but truly it's his adventures around said transformations that make this story as good as it is.





3. IRON MAN

Indeed, my introduction including the rise of comic book adaptations did serve a purpose as I felt that said resurgence was highly earned. MARVEL had attempted to bring their vast arsenal of characters to the big screen in previous years but had often fallen mostly short. When "Iron Man" was first announced, it felt like one I may have typically passed on, mainly due to the fact that I had little working knowledge of who he was outside of a suit of armor. Be that as it may, the trailers leading up to the film offered some promising visual effects and I've had a soft spot for Robert Downey Jr., which, by the way, could not have been a better choice for the role of Tony Stark. I've often reflected on how accepting said role may have been an elbow to the rib at his own expense given his fast and loose rockstar lifestyle in his younger years. I decided to take a gamble and see "Iron Man" in the cinema, and if you've read anything of mine at all, you'll know that I've been hooked on MARVEL ever since. True, the theme of this first entry in the series was just slightly pro-American and gave the Middle East a less-than-flattering light, but thankfully, Jon Favreau focused more on the morally grey Tony and his plight with the sinister Obadiah Stane (Jeff Bridges) than using the film as personal propaganda.

The current MARVEL cinematic universe, and especially this series in general, are not in need of my endorsements at this point, but if you are still on the outside looking in, check this one out!





2. WALL-E

I would dare anyone to look either myself, or anyone else for that matter, in the eye and say that Disney is incapable of playing a heavy hand; not just in terms of mortality or heartbreak, but bleak scopes of the future. An adorable robot named Wall-E cleaning up garbage on an abandoned and desolate planet Earth - yeah. Wall-E then ventures into outer space, finds the humans that abandoned said destroyed Earth, and have all become so lethargic that they no longer have the muscle or bone mass to walk under their own power - yeah. "Wall-E" could be considered Pixar's biggest gamble to date, and the result is a visually beautiful, yet, dare I say, horrific red flag to a young generation that says "You better take note of this." If it weren't for the titular character being so lovable, this wouldn't even be able to be called a Disney film, and for that, I give them kudos. I have a high appreciation for films that dare to go into this territory knowing that their largest audience do not have the ability to drive and paints a picture vivid enough to make the viewer think outside of the lines.

It's hard for me to choose a favorite Pixar film, although I would have to put "Wall-E" pretty high up on the scale.





Now, my #1 film of 2008 is:



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1. THE DARK KNIGHT

I know, slightly anti-climactic considering I probably could not even come close to guessing how many movie lists this beast of a film topped. It was an easy choice for myself as well since this film also lands in my Top Ten Favorite Films. Between Nolan's mastering of Gotham's gritty and realistic atmosphere, to the grandiose performance of Heath Ledger as The Joker, Aaron Eckhart's portrayal of Harvey Dent, Gary Oldman, Morgan Freeman, Michael Caine, and so on, I will firmly state that I feel this to easily be the best Batman film ever made to date, and possibly best comic book film to date, and that's not praise I often dish out. You can tell that each individual actor were so bought into their roles that it's difficult to find a singular flaw. There are conveniences in the plot, no doubt about it, but how many
billionaires do you know that chase after psychotic clowns in a rubber suit? I fear sometimes audiences become almost too immersed in what they're watching that they forget what they're watching. Rules can be bent in a world outside of reality.

I'm hoping Christopher Nolan will be able to outdo himself in the future, but just in case that doesn't happen, I know I'll have this film (series of films) to lean back on. Again, I don't say this much about any movie, but here it goes - "masterpiece".



Thank you very much for reading! I'll see you next week for my Top Ten of 2007!